In this work, Wolton creates a critical theory of new mass media that have replaced the human and social dimension with technique. It is urgent to throw off the. Buy Internet y Despues? / Internet and Beyond (Mamifero Parlante) by Dominique Wolton (ISBN: ) from Amazon’s Book Store. Everyday low. “Ideología y comunicación de masas: La semantización de la violencia Retrieved from: http://www. e45acf/ Wolton, Dominique (). Internet, ¿y después?.
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Recuperado el 1 de febrero de en: But we will refer to the potential interactivity offered by the Web 2. Reflections from a critic of American empire. We start from the basis that traditional television is not interactive, but we are going to develop this idea. In Spain, in terms of visits, YouTube is only behind the Spanish edition of the Google search engine the owner of YouTubethe social network Facebook, and Google in its native edition Alexa, The new language of science.
En su lugar han surgido nuevos neologismos: The presentation of data follows the same order in which the wplton samples were described in the section 2. This research addresses the role of the Internet user but does not delve into the role that the user plays when consuming videos.
Libraries, public access to information and commerce.
Average percentage of YouTube viewers who make comments, rate videos and video-respond based on the sample of the 15 most viewed videos until December These results shed light on many questions, and open other interesting lines of research. And it seems that, so far, the spectator will continue with his or her passive attitude for a long time over the Internet and despite the convergence of the network with the traditional media.
The most notable decline interneh in participation through comments, although in all cases we are talking about percentages of interaction that do not go over the twenty decimals. In other words, as Interneh affirms, it is necessary and attractive to be passive.
La sociedad red The information age. All the results and averages of interaction obtained in the five samples indicate that the role of the passive TV spectator has been transferred to the Internet when consuming audiovisual content, in our case, videos on YouTube. To gain a better understanding of table 4 we should focus on the averaged percentages of viewers who rated, commented, or video-answered based on the number of views.
Ella misma intenta dar algunas soluciones que distingan o separen a ambas esferas: A lo que Schiller agrega: Regarding the interaction onternet video responses, the results are insignificant. Our goal is to demonstrate that Internet users adopt a passive role when consuming online videos.
Number and percentage of comments, ratings, and video answers according to visits sample of 15 most viewed videos until December We must highlight that eight videos were removed from the sample, which may induce to an error in the dominiquf.
A Sample of the 15 most viewed videos from 22 June to 28 September inclusive. Technology and InformationTribuna, 23 Februaryretrieved on 13 Mayfrom: With believe that the five samples constitute a large enough number of videos and visits to get results with some empirical significance within a universe in constant expansion. Lago de Guadalupe Km.
Literaturas españolas y europeas: del texto al hipertexto (LEETHI)
If we withdraw this video, the average would descend to 0. A Three videos offered data that was contradictory or illogic: The confirmation of the hypothesis coincides with the findings of the ihternet by Soto, Aymerich and Ribes which points out that interactivity is not a factor that affects the overall perception of the enjoyment of a fictional content.
And in this sense, the media tend to simplify the forms of participation. YouTube media player screenshot taken during the data collection in January This situation may be due to the fact that this is a video divided into 5 parts and users tend to leave comments only in the first: The network societyvolume 1.
Dentro de las obras que se analizaron destacan las de Herbert H.
Elogio del Gran Publico – Teoria Critica de La TV
Thus, table 1 shows that the percentage of people who rates a video is only 0. They claim that the possibility of selecting the argument of the audiovisual narrative does not impact the variables xespues enjoyment of the spectator. Videos excluded from the sample. Therefore, the spectator decides to be so, a mere passive spectator who does not interact in spite of the potentialities offered.