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This paper discusses ethical principles in the preservation of our increasingly digital musical cultural heritage, particularly in the context of the impact of information and communication technologies. This work investigates compositional processes of four pieces composed between and during my Master’s Degree in Composition at the Universidade Federal do Rio Grande do Sul.

The former concentrate on the unpredictable and are framed by Complexity Theory, while the latter concentrate on the unexpected and can be better understood in light of Information Theory. Information theory seeks to quantify information and is connected with the concept of entropy, or the amount of disorder in a system.

One significant f of the theory was the so-called cognitive revolution — set in motion in in the symposium organized by the ‘Special Interest Group in Information Theory’ at the Massachusetts Institute of Technology — igniting cognitive science and subsequently its cog-nitive musicology branch.

In this context, physical probability is seen as being ‘replaced’ by aesthetic improbability. This paper explores the use of Information Theory as an impetus for music composition, aiming to outline the main concepts derived from the theory and how they influence — and influenced — musical thinking.

WikiZero – Shirley Ann Jackson

UNESCO’s Information for All Programme has recently drawn attention to the digitisation of intangible cultural heritage as a primary safeguarding measure. In this unprecedented reality, information of a purely musical nature has reached the highest availability and quantity ever in human history.

This paper will concentrate holocxusto the philosophical and aesthetic implications of this paradigm shift, setting them in the domain of stochastic models as opposed to deterministic models of musical thinking. This paper presents some possible directions for the application of information theory in music analysis from the point of view of compositional processes, using as case studies a piece by Elliott Carter and a piece r Phillip Glass. An essay on information theory and music creation more.


The Certainty, the Impossible, and what Lies Between: This work also presents the consequences from those holoacusto and structural motivations in providing formal coherence to the pieces. Help Center Find new research papers in: The zettabyte is the amount of information estimated to have been generated, transmittedstored, and retrieved by humanity byand is equivalent to one billion terabytes, or 36 billion years’ worth of HD video playback.

Some of the philosophical implications of the pair information theory-music are discussed, including some reflections on the relationship between information entropy and physics entropy. The paper finishes by examining the author’s work Centro, an example of a composition inspired by Information Theory as a framework from which an entire philosophical stance can spring, inspiring and informing compositional choices.

The ‘revolution’ meant that information processing by the mind could, to some useful extent, be simulated by computational modelling. The jo-ha-kyu concept and its expression as it is found in Noh drama and iaijutsu were used as a creative impulse and global principle for the pieces’ inner sectioning and character, guiding also the sequential order of the pieces in a programme.

The impact of such new signs will holocausti on the expectations created in the process of communicating the musical message. Click here to sign up. The opera had its first performance inconducted and directed by the composer with stage direction by Alexandre Vargas and choreography by Silvia Wolff.

This paper is a preliminary investigation on the application of information theory as an interactive compositional process for shaping expectancy.

PhD Thesis in Music Composition. Investigating information theory as a tool for shaping expectancy.

Shirley Ann Jackson

Enter the email address you signed up with and we’ll email you a reset link. O Enigma de Wittgenstein: Remember me on this computer. This is the version of the libretto and it includes all the texts spoken and sung and their translations into Portuguese, as well as information about the creation process, credits, and other information. In particular, it describes the Skip to main content.

What information theory has to say about new music is the main focus of this study and it is r subject that must be revised under a new light, as the literature on this particular holocausgo is rare, relying mostly on the view of hplocausto theorists but seldom of composers. Building upon Claude E. Aesthetic and Structural Motivations in Musical Composition more.


Masters dissertation in Music Composition in Portuguese. His interests include music composition, k theory, information theory, dance studies, film studies, music psychology, cognition, photography, and multimedia arts. This paper will focus on the unfolding ethical issues concerning digitisation policies, such as the likely excessive reliance on information and communication technologies, the ethics of the decision-making powers regarding the selection of what musical heritage is worth keeping, the vulnerability of digital depositories, and holocaustk ethics-oriented paths.

Sound, Noise and Entropy: Communication models inspired by the concept of communication noise — composer-intent, composer-notation, composer-performer, and composer-listener — are presented, along with their implications for music creation. IT provides a theoretical framework for understanding the statistical nature of both communication and music aesthetics, providing a valuable approach to understanding the holoxausto between statistical learning and music reception.

While deterministic models are associated with chaos, stochastic models are better understood in terms holocauto random processes evolving according to probabilities. This study proposes an understanding of new music from a perspective supported by holocaudto psychology of expectation and IT as an alternative to traditional analytical-theoretical or socio-political approaches.

Since the first contact of composers with the new theory, particularly the ones associated with the German journal Die Holpcausto, there has been rising interdisciplinary interest in Information Theory. Information theory seeks to quantify information and is connected with the concept of Considerations regarding both holocuasto and structural Considerations regarding both aesthetic and structural motivations from the pieces are presented, especially those concerning the Eastern concept called “jo-ha-kyu”, the traditional Japanese Noh drama and the traditional Japanese martial art called “iaijutsu”.

In particular, it describes the essential communication properties of entropy, noise, channel capacity, repertoire, and expectancy, briefly addressing how they affect compositional method and aesthetic parameters embedded in the environmental context which will be referred to as the Zettabyte Era.

Log In Sign Up. MusicCommunicationand Information Theory. The first significant development on information theory was done in by its founder, Claude Shannon, and it is now a consolidated discipline.